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Title : The Squaw Man The Squaw Man genre : Drama, Western The Squaw Man crew : Cecil B. DeMille, Cecil B. DeMille, Cecil B. DeMille, Oscar Apfel, Edwin Milton Royle The Squaw Man release date : 13 January 19 1 5 The Squaw Man runtime : 74 Minutes The Squaw Man Crew : Cecil B. DeMille, Cecil B. DeMille, Cecil B. DeMille, Oscar Apfel, Edwin Milton Royle The Squaw Man cast : Dustin Farnum, Monroe Salisbury, Winifred Kingston, Red Wing, Mrs. A.W. Filson, Haidee Fuller, Foster Knox, Richard L'Estrange ========================ஜ۩۞۩ஜ==========================
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Rancher Clay and his brother, Steve, head out across the Sonora mountain pass, followed by Lednov, an ex-con seeking revenge on Clay for putting him behind bars. Clay and Steve unexpectedly cross paths with a group of dance hall girls -- including Mary, Marcia and Helen -- whose stagecoach has broken down, and help them get to the nearest ranch, where Lednov unfortunately catches up to Clay. Roughshod 1949 review :
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Title : The Miracle Rider The Miracle Rider genre : Western, Action The Miracle Rider crew : Barney A. Sarecky, William Nobles, Bud Geary, Richard Fantl, Yakima Canutt, Nat Levine, Jay Wilsey, Armand Schaefer, B. Reeves Eason, Wellyn Totman The Miracle Rider release date : 28 October 19 6 1 The Miracle Rider runtime : 306 Minutes The Miracle Rider Crew : Barney A. Sarecky, William Nobles, Bud Geary, Richard Fantl, Yakima Canutt, Nat Levine, Jay Wilsey, Armand Schaefer, B. Reeves Eason, Wellyn Totman The Miracle Rider cast : Tom Mix, Joan Gale, Charles Middleton, Robert Frazer, Niles Welch, Jason Robards Sr., Bob Kortman, Edward Earle, Edward Hearn, Tom London ========================ஜ۩۞۩ஜ==========================
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Title : In a Valley of Violence In a Valley of Violence genre : Crime, Thriller, Western, Action In a Valley of Violence crew : Terri Taylor, Jason Blum, Ti West, Ti West, Ti West, Ti West, Graham Reznick, Jade Healy, Vanessa Sharp, Adam Willis In a Valley of Violence release date : 7 November 19 6 2 In a Valley of Violence runtime : 104 Minutes In a Valley of Violence Crew : Terri Taylor, Jason Blum, Ti West, Ti West, Ti West, Ti West, Graham Reznick, Jade Healy, Vanessa Sharp, Adam Willis In a Valley of Violence movie cast : Ethan Hawke, Taissa Farmiga, James Ransone, Karen Gillan, John Travolta, Burn Gorman, Toby Huss, Larry Fessenden, K. Harrison Sweeney, James E. Lane ========================ஜ۩۞۩ஜ==========================
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The story of a drifter named Paul who arrives in a small town seeking revenge on the thugs who murdered his friend. Sisters Mary Anne and Ellen, who run the town's hotel, help Paul in his quest for vengeance. In a Valley of Violence 2016 review : **In the old west, it's always about the revenge!**
Believe it or not, this is the western version of 'John Wick'. Same storyline except it takes place in the desert of the old west. A man who had enough killing native Americans, is now abandoned everything and heading towards Mexico for a fresh start. But on a way in a small town, he gets into a trouble. After surviving the assault, he goes back to hunt them all and like most of the western film, the end is predictable.
This is not a bad flick, but it was not fresh enough, either its story or the gun fights. With a bunch of decent actors, a decently made film. The characters were limited, the atmosphere was like deserted. So the overall narration was focused on a few characters in its entire 100 minute run. I felt sorry for Travolta, they did not get anything out of him, he just had a presence and nothing else. In other hand Ethan was okay, but his role was designed as an average man in the old west, not a powerful one as we expect in this type of film.
The title says it all, but it was not that ruthless as compared to the most of the similar western films I have seen. Mostly it will bring a disappointment for its viewers, but definitely a few would enjoy it for its simpleness. For me, it was an average, but thought it could have been better, particularly in the gun battle. So it's nothing more than just once watchable with a low expectation.
_6/10_ The Denton Rapscallion.
In a Valley of Violence is written and directed by Ti West. It stars Ethan Hawke, Taissa Farmiga, James Ransome, Karen Gillan and John Travolta. Music is by Jeff Grace and cinematography by Eric Robbins.
Ethan Hawke plays Paul, an ex soldier accompanied only by his dog, Abbie, who is drifting across the desert towards Mexico. Stopping off in the dying town of Denton, Paul finds trouble that will have consequences for himself and town alike.
Ti West is more well known for his horror ventures, where although divisive in that genre sphere, he can be proud of his success rate. Here he tackles the Western, and true to form, he homages past genre masters whilst unmistakably putting his own stamp on things. Opening with credits straight out of Spaghetti Western land, and introducing us to a musical score that will accompany the story that is wonderfully feverish, West is in no hurry for blood and bone shenanigans. He always favours the slow burn and so it proves here.
There's nothing remotely new here, it's a standard tale of a gunman - one damaged by his war efforts - who through circumstance is forced to abandon his hope of a quiet life. He's a loner man of few words, thus giving viewers a classic Western character staple, an anti-hero to root for and for us to yearn for him to find peace. When the violence comes, it's sharp and bloody, but often there is humour as well, deftly inserted into proceedings, whilst the canine is skillful and a key character to all and sundry.
Perfs are more than adequate. Hawke sifts seamlessly into being a believable drifter type of complexity, Ransome is annoyingly brattish, but that's actually job well done, and Travolta - sporting a wooden leg - gets better once (and if) you buy into him in this setting. Gillan isn't given much to do, but lands some decent emotive punches, but it's Farmiga who stands out as Mary-Anne. She's utterly infectious and thankfully she gets a well written part, that of a young woman trying to hold her own in the most trying of township circumstance.
The purpose built town of Denton looks just that!, but this is off- set a touch by the nice location landscapes (Santa Fe, New Mexico), and with the story working from solid genre foundations then this is a pleasure - without pulling up any trees - for fans of such. 7/10
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The Magnificent Seven synopsis The Magnificent Seven the movie showtimes complete online stream online english 2016 The Magnificent Seven song, Watch The Magnificent Seven full movie online now.Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.,what are The Magnificent Seven movies in order The Magnificent Seven synopsis full movie The Magnificent Seven 2016 HD Movies, Full Length Movie ========================ஜ۩۞۩ஜ==========================
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Title : The Magnificent Seven The Magnificent Seven genre : Adventure, Action, Western The Magnificent Seven crew : James Horner, Mary Vernieu, Roger Birnbaum, Akira Kurosawa, Shinobu Hashimoto, Derek R. Hill, Sharen Davis, Mauro Fiore, Jeffrey J. Dashnaw, Antoine Fuqua The Magnificent Seven release date : 5 August 19 1 8 The Magnificent Seven runtime : 132 Minutes The Magnificent Seven Crew : James Horner, Mary Vernieu, Roger Birnbaum, Akira Kurosawa, Shinobu Hashimoto, Derek R. Hill, Sharen Davis, Mauro Fiore, Jeffrey J. Dashnaw, Antoine Fuqua The Magnificent Seven movie cast : Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Lee Byung-hun, Manuel Garcia-Rulfo, Martin Sensmeier, Peter Sarsgaard, Haley Bennett, Matt Bomer ========================ஜ۩۞۩ஜ==========================
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Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly. The Magnificent Seven 2016 review : The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.
Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.
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Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.
Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.
Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.
Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.
**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.
Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.
The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.
At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.
**The Magnificent Seven** (2016)
Sony Pictures
2 hrs. 12 mins.
Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier
Directed by: Antoine Fuqua
MPAA Rating: PG-13
Genre: Western/Drama/Action and Adventure
Critic's rating: ** 1/2 stars (out of 4 stars)
(c) **Frank Ochieng** 2016 In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.
Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).
Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.
Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.
Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.
In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_. **The new seven, all unique and diversified!**
Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.
The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.
The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.
The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.
_6.5/10_ I seek righteousness. But I'll take revenge.
Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.
Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.
We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!
Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.
Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!
It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10 Ditches all the cerebral factors in favour of dumb fun, but hey, it works.
Final rating:★★★ - I personally recommend you give it a go. This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.
Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.
Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.
The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.
Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.
Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.
So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!
Apart from that I really enjoyed this movie. A good remake of an old classic. My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie. ***Muscular Western headed by Denzel Washington is superior to the hokey original***
A woman (Haley Bennett) seeking justice after the murder of her husband enlists a bounty hunter (Denzel Washington), who gathers six others, to defend the woman’s southwestern town against a ruthless army hired by a destructive industrialist (Peter Sarsgaard). Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-Hun Lee, Manuel Garcia-Rulfo and Martin Sensmeier play the other six gunfighters.
"The Magnificent Seven" (2016) is a reimagining of the 1960 Western, which itself was based on Kurosawa's "Seven Samurai" (1954). While the plot is contrived the original version had a stellar cast, a magnificent score and great locations, but it was ruined by hokey script flaws. For instance, the teen Chico (Buchholz) was able to effortlessly infiltrate Calvera's bandits, utterly fooling them, even though there were only 32 of them by this point (rolling my eyes). Even if Calvera & his brigands failed to make out Chico's face, which is a big IF, his dialogue & accent would've given him away. Keep in mind that Chico was just an unseasoned teen.
Another example is the villagers' sudden cowardly turnaround (betrayal), which totally contradicted their earlier resolve. Yes, I realize they learned that the bandits weren't run-off and that they were going to return to the village out of desperation, but there were only like 30-32 bandits left at this juncture and the combined forces of the seven gunmen and the fighting villagers now had the opportunity to annihilate the thugs for good.
This version of course eliminates such idiotic writing and ups the ante with the action. The movie's bloody, but no more so than recent Westerns like "3:10 to Yuma" (2007) and "Django Unchained" (2012). If you like those ones, as well as oldies like “Duel at Diablo” (1966) and “The Outlaw Josey Wales” (1976), you’ll like this one. Washington stands tall in the main role while Jennifer Lawrence lookalike Haley Bennett is stunning and superior to Lawrence.
The movie runs 2 hours, 12 minutes and was shot in Arizona, New Mexico and one shot in Colorado (Miller Mesa, Ridgway) with the main set being in Jackson, Louisiana.
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Title : Young Ones Young Ones genre : Western, Action, Drama, Science Fiction Young Ones crew : Giles Nuttgens, Peter Garde, Diana Cilliers, Nathan Johnson, Nathan Johnson, Sharon Lomofsky, James Atherton, Robert Ogden Barnum, Jake Paltrow, Jake Paltrow Young Ones release date : 3 March 19 9 3 Young Ones runtime : 100 Minutes Young Ones Crew : Giles Nuttgens, Peter Garde, Diana Cilliers, Nathan Johnson, Nathan Johnson, Sharon Lomofsky, James Atherton, Robert Ogden Barnum, Jake Paltrow, Jake Paltrow Young Ones movie cast : Michael Shannon, Nicholas Hoult, Elle Fanning, Kodi Smit-McPhee, Aimee Mullins, Christy Pankhurst, Alex McGregor, Robert Hobbs, David Butler, David Clatworthy ========================ஜ۩۞۩ஜ==========================
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Title : Hell or High Water Hell or High Water genre : Crime, Western Hell or High Water crew : David Mackenzie, Giles Nuttgens, Tom Duffield, Frank Gaeta, Frank Gaeta, Gigi Pritzker, Sidney Kimmel, Peter Berg, Richard Hicks, Nick Cave Hell or High Water release date : 21 November 19 4 8 Hell or High Water runtime : 102 Minutes Hell or High Water Crew : David Mackenzie, Giles Nuttgens, Tom Duffield, Frank Gaeta, Frank Gaeta, Gigi Pritzker, Sidney Kimmel, Peter Berg, Richard Hicks, Nick Cave Hell or High Water movie cast : Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham, Marin Ireland, Katy Mixon, Dale Dickey, Kevin Rankin, Melanie Papalia, John-Paul Howard ========================ஜ۩۞۩ஜ==========================
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A divorced dad and his ex-con brother resort to a desperate scheme in order to save their family's farm in West Texas. Hell or High Water 2016 review :
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Title : The Timber The Timber genre : Adventure, Drama, Western The Timber crew : Phil Parmet, Glenn Garland, Viorel Sergovici, Scott Einbinder, Kate Plantin, Adrian Curelea, John W. Frost, Steve Allrich, Angela Demo, Adrian Popescu The Timber release date : 19 September 19 0 1 The Timber runtime : 81 Minutes The Timber Crew : Phil Parmet, Glenn Garland, Viorel Sergovici, Scott Einbinder, Kate Plantin, Adrian Curelea, John W. Frost, Steve Allrich, Angela Demo, Adrian Popescu The Timber cast : James Ransone, Elisa Lasowski, Josh Peck, Attila Árpa, William Gaunt, David Bailie, Shaun O'Hagan, Maria Doyle Kennedy ========================ஜ۩۞۩ஜ==========================
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In the wild west, two brothers embark on a journey to collect a bounty in a desperate attempt to save their home: but what they find along the way is more than they bargained for. The Timber 2015 review :
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Title : Jane Got a Gun Jane Got a Gun genre : Action, Drama, Western Jane Got a Gun crew : Scott Lambert, Natalie Portman, Lisa Gerrard, Bob Weinstein, Harvey Weinstein, Tim Grimes, Joel Edgerton, Alan Cody, Scott Steindorff, Dylan Russell Jane Got a Gun release date : 2 May 19 2 4 Jane Got a Gun runtime : 98 Minutes Jane Got a Gun Crew : Scott Lambert, Natalie Portman, Lisa Gerrard, Bob Weinstein, Harvey Weinstein, Tim Grimes, Joel Edgerton, Alan Cody, Scott Steindorff, Dylan Russell Jane Got a Gun cast : Natalie Portman, Joel Edgerton, Ewan McGregor, Noah Emmerich, Boyd Holbrook, Rodrigo Santoro, Alex Manette, Todd Stashwick, James Burnett, Sam Quinn ========================ஜ۩۞۩ஜ==========================
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After her outlaw husband returns home shot with eight bullets and barely alive, Jane reluctantly reaches out to an ex-lover who she hasn't seen in over ten years to help her defend her farm when the time comes that her husband's gang eventually tracks him down to finish the job. Jane Got a Gun 2015 review : Jane has got a gun. Great then maybe she can use it to put those of us that took the time to watch this movie out of our misery. Not a good western at all as Portman is poorly cast as Jane. Boring and slow which are bad things when watching a western. Because when done right they can be a very exciting movie expierience. The Western genre is one that has struggled to find its own two feet to stand on in recent years. _Jane Got a Gun_ certainly does not buck that trend. Also I'm pretty sure not a single one of these Wild West folks was American.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._ **A woman's preparation to fight the outlaws.**
Probably on underrated film, but for me, I'm sure it is an underrated film. From the director of 'Warrior', another excellent film to include in his filmography. A well written screenplay, but that's where the problem is according to those did not like it. Because it was kind of 'all's well, ends well' story. That does not mean it is full of cliché, maybe they expected the film to be more harsh and violent like most of the high profile western films do.
Sorry to those who did not enjoy it, but I did. It was nothing like only for men, but still R rated. Yep, I understand the last 10-15 minutes was so intentional, so what, the story wrapped perfectly in a right way. I must appreciate the cast, particularly the lead two actors, Natalie Portman and Joel Edgerton. This film is not an opportunity to give the best character display, but everyone did their parts quite finely.
Ewan McGregor was a disappointment with his useless role. I mean it was a good one, but not made for him. I think the villain character lacks the toughness. That leaves it a one sided theme, so you might not know how the developments happen, but you will know which way is it heading in the earliest. Particularly as it was focused more on the romance, despite it is not a romance theme. Though there is a twist and many turns in the narration. Overall film was very entertaining, partly predictable, yet totally worth a watch if you keep your expectation locked in a safe afar while watching it.
_8/10_ Them Bishop boys are coming for you? You don't need a gunslinger. You need a goddamn regiment.
Jane Got a Gun is directed by Gavin O'Connor and collectively written by Brian Duffield, Anthony Tambakis and Joel Edgerton. It stars Natalie Portman, Joel Edgerton, Ewan McGregor, Noah Emmerich, Boyd Holbrook and Rodrigo Santoro. Music is by Marcello De Francisci and Lisa Gerrard and cinematography is by Mandy Walker.
Jane Hammond (Portman) has to turn to her ex lover, Dan Frost (Edgerton), for help when it's revealed that the notorious Bishop gang are heading her way in search of her husband Bill (Emmerich).
It's going to be one of those films more talked about for what it could have been than what it is. Changes in production staff were unbound, from director, writer, photographer and some big name cast changes, it was a production blighted and destined to be on a loser. It hasn't helped that with it being a slow paced character based picture, and a Western at that, the market for a fan base was already running low on potential supporters. So what we left with?
It undoubtedly is one for hard core Western fans only, it's hard to envisage newcomers entering into the genre for the first time, perhaps lured by the casting of Portman, being won over to the point of seeking out other classic Westerns of past and present. Yet it's got a lot going for it, because if you have the want, then it may just take a second viewing to fully absorb and enjoy.
At its core it's a straight Oater of redemption, opportunities waylaid by fate, and of course a good old good versus bad axis. Relying on a flashback structure to set up the character dynamics, it can get a bit disorientating at times, hence the shout out for a second viewing. However, it may not be the perfect way to build the principal characters, but they are worth the investment for there's a big emotional pull there.
Having laid the foundation for the first two thirds of the pic, we shift to good old honest violence, for siege read backs against the wall, and not without invention, in fact there's much resourcefulness on show, with Jane at times very much leading the way. The last third pays off handsomely, even if there's the (arguably) inevitable sugar coated candy to swallow as part of the final deal. Cast are dandy and turning in perfs of note, though it needed more of McGregor's John Bishop, because with what little he gets he does make a villainous mark.
It looks terrific, Walker's photography bringing to mind the genre work of Roger Deakins, with the New Mexico locations blistering in their beauty, and while the sound mix for dialogue exchanges is a little poor, the musical score is thumping in its tonal appreciations. It's tricky to recommend with confidence even to Western fans, especially in a year when "Jane" had to compete with the more rambunctious Magificent Seven reboot, but give it a chance if you liked something like Slow West, and you may just be pleasantly surprised. 7/10
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The Revenant synopsis The Revenant the movie 2015 showtimes online stream online english sub The Revenant song, Watch The Revenant full movie online now.In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.,what are The Revenant movies in order The Revenant synopsis full movie The Revenant 2015 HD Movies, Full Length Movie ========================ஜ۩۞۩ஜ==========================
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In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling. The Revenant 2015 review : The Revenant, a ravishingly violent Western survival yarn from Alejandro González Iñárritu, has a healthy few, scattered like acorns across its two-and-a-half-hour canvas..... no matter how extended, the film’s tense story is under the director’s complete control...DiCaprio’s performance is an astonishing testament to his commitment to a role. cinematographer Emmanuel Lubezki done a great job..as a supporting actor tom hardy is brilliant..must watch... I thought this was a great movie. Seemed like it was a very physically demanding role for Leo. Good performances by DiCaprio and, even more, Hardy.
Good directing, specially the initial attack, photography, landscapes and soundtrack but the story is, at some points, unnecessarily violent and the action scenes are, sometimes, somehow stupid; people letting others to kill them, or ignoring foes close by ...
A good movie all in all, but not one of the greatests. > The one who came back from the dead to avenge.
The movie was inspired by the real event that sets in the year 1823, United States. When one of the crew members of the hunters left behind after he was severely hurt from a bear attack, he desperately looks for a way to get back to the camp alive, especially to avenge for the death of his close one. The whole film was about survival in the wilderness and to avoid the native Americans. But the introduction in the opening was very brief and in the final act, it was another brief man hunt. Overall, it was an enjoyable movie for adults with some gruesome scenes.
The movie was made on a grand scale. Well written screenplay, good direction, the cast, music and the locations, but it would have been even awesome if it was true to the original occurrence. I felt it was cinematically overdosed, especially for the commercial purpose. The fans of Leonardo Dicaprio's overwhelming celebration created a huge buzz. In fact, it looks like the entire Hollywood is his fan and the Oscars given to him out of sympathy, because I have seen his best performances better than this in the past.
The length of the movie was a big concern, should have been at least 15 minutes shorter. But the visuals were fantastic, the CGI bear was almost flawless. There are plenty of reasons why this should not be missed, at a time the narration lacks the realism. Otherwise, it would have made a wonderful semi-documentary film. So don't have high hope on this, especially if you're no ones fans, but just love watching movies like me. A little bit overrated everywhere, but still this movie is good, just good, that's it, not a masterpiece.
7/10 There's nothing really to complain about the acting but their praise and this movie is overrated. Read my full review here.
http://www.hweird1reviews.com/allreviews//therevenant This is the best film I have seen all year (since 'Birdman', in fact, the previous film by Innaritu). It was expertly directed. The use of natural light really adds to the danger of the environment that surrounds Hugh Glass (Leonardo DiCaprio). Innaritu loves the camera to pan around objects and people to create a sense of awe and spectacle.
Leonardo DiCaprio really did deserve all the awards that he got for this role. I thought it was his best film by far. The realism and intensity of his performance really comes through.
The story was gripping throughout the whole film and I found the twists and turns very interesting.
★★★★½ **The following is a long form review that I originally wrote in 2015.**
From a technical point of view, _The Revenant_ is one of the most masterful pieces of cinema I've ever seen. This made its one technical failure all the more jarring. The ADR. I don't know how or why this was allowed to happen, but the dubbing of the Native Americans is some 70's style shit, it's awful, and it's awful every single time. In your average film this would be only a minor annoyance, but in _The Revenant_ which A) pretty much nails everything else in the AV department, and B) Takes itself so goddamn seriously, this issue is painfully distracting.
I also found myself continuously rooting for the antagonists (first the bear, and later Hardy) subconsciously, and scolding myself for it. The good aspect of this is that it was rooted in the fact that all the characters are humanised (even the bear) and fallible, which I like, but the flip-side to that is I was less sympathetic to Leo's character, which takes up the majority of the screen time, and thusly I did not feel fully engaged for a large portion of the movie.
In fact the whole second and third acts underwhelmed me in that exact way. That's not to say that they were bad, but they were invariably weaker than the first act. After its end the rest of the film did feel like it was stretched a mite thin.
That all said, I knew within about 90 seconds that I was going to give _The Revenant_ a favourable review. Visually, it has this ethereal effect. It feels **too** real. So real that it must be a trick, the world of _The Revenant_ is alien in its realness. A bizarre contradictory nature that struck a chord with me immediately. For the average cinema-goer, I would say _The Revenant_ is worth your time, but for a movie aficionado or film student, I would say _The Revenant_ isn't anything short of a must.
75%
-_Gimly_ "My heart bleeds. But revenge is in the creator's hands".
The Revenant is set in the 1820s, in the uncharted wilderness of America, Hugh Glass set out with a hunting party on an expedition. Glass was mauled by a bear and left for dead but through sheer will and to get back to his family, Glass survived - but that wasn't the only thing on his mind as he set out to payback the men who left him behind.
I remember last year around January time when I saw the two images for The Revenant, with Leo holding a Kentucky Flintlock Rifle looking like he's not playing around. Those two images straight away caught my interest. I then found out it was directed by the magnificent Alejandro González Iñárritu who did the Oscar wining "Birdman" (a movie that I personally loved). The Revenant quickly became my most anticipated movie of 2015, as I was looking forward to this movie more than Star Wars, and yes I said it. And after finally seeing the movie myself, I can safely say that I was not disappointed. The Revenant is one of the most stunning, brutal, intense, grizzly movie experience I've ever had. The movie isn't for everyone, but I loved it.
Alejandro González Iñárritu is starting to become my 3rd favorite director working today, because he's such an old school director when it comes to storytelling by the use of art. There's been a lot of drama happening behind the scenes of this movie, with the weather stopping the production or if someone made a mistake while filming, the crew must stop for the day and wait until tomorrow, because one mistake could lose a lot of day light for a scene (It was shot in natural lighting). One of the studios suggested that the movie should be shot using computer generated to make things much easier, but luckily Iñárritu said no to the idea by stating, "If we ended up in greenscreen with coffee and everybody having a good time, everybody will be happy, but most likely the film would be a piece of shit." And after seeing the movie I gotta say that it was the perfect decision, because it's very rare for a director today to take that risk and avoid what the studio says. Yes there are some CGI scenes, but the way that the animated effect's blended together with the practical effect's is handled incredibly well. This is one of the best directed movies I've seen in 2015 and I know Iñárritu already won an Oscar already, but I hope he wins another one for this, because never before have I seen a revenge tale presented so unique and utterly magnificent.
I respect Leonardo DiCaprio as an actor, but in this movie, he sleeps inside of a dead horse naked and eats raw food from animals, now if this doesn't get him an Oscar, nothing will. He's performance in this movie is what a call 'a silent performance', because Leo barley has that much lines in the movie and the only time he dose get to talk is in a different language (which Leo has said it was tricky to learn the language). DiCaprio has proven time and time again that he's more than a pretty face, but in this movie I only saw Hugh Glass, not DiCaprio. That's my biggest praise I have to give to Leo, as he had to deliver all the emotions, the pain and the tortured soul that Hugh Glass. All of that was all through his face and eyes and trust me when I say this, but it's not easy as you think. We are so use to seeing Leo as the angry, pretty boy billionaire in every movie he's in, but in this movie I thought he was fantastic. He played the man who lost everything. With very little lines he had, he still manages to make a powerful performance that's so far his best. I really hope Leo gets an Oscar for this.
Tom Hardy also gave an Oscar worthy performance in this movie. I've heard that some people had trouble understanding him in this movie (or just in everything that he's in really). Sometimes I didn't understand what he said but for the most part I did. But all that a side, I still think he was fantastic in the movie. He really added a lot to his character, because sometimes you understand the things that he dose in movie and yes the things he dose in the movie are wrong, but in a rough environment that these people are in, you would likely do the same. I'm not sure if he would get in for best supporting actor, but I hope he dose.
I'm running out of things to say about Emmanuel Lubezki breathtaking cinematography. The camera work and how he makes the camera feel like a character of it's own is seriously impressive. Lubezki captures nature on film, that shows it's beauty and it's unpredictable surprises. The people running the Oscars should just give Lubezki his third Oscar right now, because he's going to take that third trophy home.
For flaws I had with the film it that some of the character logic towards the end of the movie didn't make that much senses to me. And that's it.
Overall rating: "The Revenant" is one of most intense and stunning movies I've seen in 2015. The score is haunting, the editing was top notch and that bear attack scene was just terrifying. I mean how the hell did they do that? I don't know about you, but I honestly can't stop thinking about this movie. It's one of those movies that sticks with you after it's over and it isn't going away anytime soon.
